EXPLORING FATE IN SHAKESPEARE’S MACBETH: A SYNTHESIS OF CONCEPTOSPHERE AND IDIOLECT

Nilufar Turdiyeva

doi:10.2024/yv2bbb36

Authors

Nilufar Turdiyeva Associate professor of Samarkand State Institute of foreign languages Author

DOI:

https://doi.org/10.2024/yv2bbb36

Keywords:

Shakespeare, Macbeth, fate, conceptosphere, idiolect, Renaissance, predestination, language, metaphor, rhythm, human agency, tragedy, linguistics, literary analysis, iambic pentameter, Weird Sisters, prophecy, imagery, culture, universal themes

Abstract

This article investigates the concept of "fate" in William Shakespeare’s Macbeth, proposing a synthesis of his conceptosphere - the thematic and intellectual framework of his ideas - and his idiolect, the unique linguistic style that shapes his expression. By analyzing key passages, the study explores how Shakespeare’s rich metaphors, iambic rhythm, and lexical choices amplify "fate" as both an inevitable force and a contested space for human agency. Rooted in Renaissance debates on predestination, this concept is brought to life through Shakespeare’s language, blending historical specificity with universal resonance. Drawing on global and Uzbek scholarship, the analysis highlights the interplay between theme and form, affirming Shakespeare’s enduring legacy as a dramatist whose linguistic artistry deepens philosophical inquiry.

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